The Katra mound, Mathura. Frederick Asher, Universtiy of Minnesota The many disguises of god: Decoding costume changes at the Radhavallabh temple in Vrindaban. Cynthia P Atherton, Middlebury College Royal portraiture in early Neplese art: A stylistic consideration. Dina Bangdel, Western Michigan University Vietnamese lacquer painting today. Ronald M. Bernier, University of Colorado at Boulder Burning devotion: Derala's oil lamps. Carol R. Bolon Eternal presence: Handprints and footprints on later Tibetan pantings. kathryn Selig Brown The viewer, ther viewed and making meaning: A re-evaluation of the "Attribute"in Buddhist iconographic studies. Chaya Chandrasekhar, The Ohio State University The hardest-to-see image is no mimage at All: The digambar aniconism of the Taran Swami Panth. John E. Cort, Denison University The use of composition to reveal narrative meaning in the Ayodhyakanda of the Jagat Singh Ramayana. Cathleen Cummings, The Ohio State University Learning and unlearning India: The evolution of the European printed image. Robert J. Del Bonta, Asian Art Museum of San Francisco Memory, manuscript, and monument: Making "History"in 17th-Century Mewar. Jennifer Joffee, University of Minnesota Glittering emblems: Javanese gold objects and their ornamentation. Cecelia Levin, Museum of Fine arts, BostonFlogging a dead horse: Reinterpreting the Ashvamedha coin-type. Steven E. Lindquist, University of Texas-Austin Discovery through De-consecration: the unseen art of Karsha's Kadampa Chorten Revealed. Rob Linrothe and Melissa Kerin Considering the wheel of life. Janice Leoshko, University of Texas at Austin Model or copy: A new masterwork by Mir Kalan Khan and its disputed alternate version. Stephen markel, Los Angeles County Museum of Art Hidden identities of the "Great black one": Images of Mahakala from the John and Berthe ford collection. natalie R. marsh, The Ohio State University Abstract: Appropriating Authority: A continuing conextualization of the Rewa Torana. Kimberly Masteller, Ohio Universiity Unearthing a Balinese Laocoon: Questioning the possible motives behind claire holt's "buried image"in art in Indonesia: Continuities and change (1967). kaja M. McGowan, Cornell University Image iconoplasty: A seventh-century sculpture of a sage from Pakistan. Michael Meister, University of pennsylvania Patronage and practice: Representations of donors and Devotees at Ellora. Lisa Nadine Owen, University of Texas at Austin The photography of Prithwish Neogy: A phenomenologu of South Asian art. Samuel K. Parker, University of Washington, Tacoma The lost image of Heruka from Padang Lawas. Natasha Reichle, Universiity of California, Berkeley Comprehending Inter0Relationship: A study of rasalila performances & paintings from Nathadwara and Kusumsarova. Pallavi Sharma The hand in South Asian art and religion. Amita Sarin How did the monks at Ajanta hang their robes?. Walter M. Spink, University of Michigan A Mughal Ramayana manascript dated 1594. John Seyller, University of Vermont The emergence of Nandi in the Hindu temple. Gary M. Tartakov, Iowa state University Puzzles and pieces: Reconstructing the Candi Loro Jonggrang pantheon. Mary-Louise Totton, The University of Michigan. Balinesse ritual terracotta: Past, present and future. Rebekah Wostrel, University of Pennsylvania

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